雅思閱讀段落細(xì)節(jié)題特點(diǎn)解析（求：劍九 Test3 雅思口語(yǔ)Part2 a journey 解析 題目： Describe a journey [e.g. by car, plane, b）

今天大學(xué)路小編整理了雅思閱讀段落細(xì)節(jié)題特點(diǎn)解析（求：劍九 Test3 雅思口語(yǔ)Part2 a journey 解析 題目： Describe a journey [e.g. by car, plane, b）相關(guān)信息，希望在這方面能夠更好幫助到大家。

本文目錄一覽：

• 1、雅思閱讀段落細(xì)節(jié)題特點(diǎn)解析
• 2、求：劍九 Test3 雅思口語(yǔ)Part2 a journey 解析 題目： Describe a journey [e.g. by car, plane, b
• 3、2023年9月28日雅思閱讀考試真題及答案

雅思閱讀段落細(xì)節(jié)題特點(diǎn)解析

段落細(xì)節(jié)配對(duì)題的題型特點(diǎn)

1. 題型位置

縱觀劍橋系列真題，尤其是近幾年出版的劍橋雅思7-11, 專(zhuān)家發(fā)現(xiàn)，段落細(xì)節(jié)配對(duì)總是出現(xiàn)在第一題型，并且會(huì)出現(xiàn)題目要求：Which paragraph contains the followinginformation?

從第一題型的位置來(lái)看，我們發(fā)現(xiàn)它和List of Headings是一樣的，也就是說(shuō)，同一篇文章，這兩個(gè)題型只會(huì)出現(xiàn)其中一個(gè)。道理其實(shí)很簡(jiǎn)單，因?yàn)檫@兩個(gè)題型都是考察段落的，一個(gè)考察細(xì)節(jié)，另一個(gè)卻考察主旨，如果同時(shí)在一篇文章，那么對(duì)段落的考察考點(diǎn)重復(fù)，所以只會(huì)保留其中一個(gè)。

2. 完全亂序

因?yàn)榇鸢甘俏恼碌亩温涮?hào)，所以題號(hào)和段落號(hào)一定是亂序的。

3. 題量：4-7題

4. NB youmay use any letter more than once

只要出現(xiàn)NB, 表明一定有一個(gè)選項(xiàng)(段落)會(huì)被重復(fù)使用一次。NB的出現(xiàn)無(wú)疑是加大了這道題的難度，如果有題已經(jīng)選了C段，如果沒(méi)有NB, 這段可以跳過(guò)進(jìn)入下一段，但是如果有NB出現(xiàn)，我們還得老老實(shí)實(shí)地把這一自然段讀完，確保復(fù)選選項(xiàng)。

段落細(xì)節(jié)配對(duì)做題方法

在分析段落細(xì)節(jié)題的特點(diǎn)時(shí)，我們知道它是第一題型，考試時(shí)“我們要不要按照順序，先把段落細(xì)節(jié)配對(duì)拿下呢?”答案是：Ofcourse, not!! Definitely not!!! 理由很充分：它要求我們尋找題干和文章中某段中某句話的同義改寫(xiě)，而我們對(duì)文章完全不了解的情況下，是很難在茫茫詞海中找尋答案的，所以只能仔細(xì)閱讀文章了，文章1500-2000字，通讀一遍，不僅耗時(shí)，而且很有可能吃力不討好，完全找不到答案，因?yàn)槲闹械木渥右欢ù蠓韧x改寫(xiě)了。所以段落細(xì)節(jié)配對(duì)，我們要靠后做，先做順序原則的細(xì)節(jié)題，對(duì)文章有一定了解之后，再去搜尋答案，會(huì)事半功倍。

這一大題是亂序的，所以專(zhuān)家們提醒廣大考生，我們一定要把這一大題里的所有關(guān)鍵詞全部劃出來(lái)，到文章中尋找答案。劃取關(guān)鍵詞，對(duì)烤鴨們來(lái)說(shuō)已經(jīng)非常熟悉了，但是段落細(xì)節(jié)配對(duì)，作為最難的題型，它在題干設(shè)計(jì)上可是下了一番苦心呢。下面，專(zhuān)家?guī)ьI(lǐng)大家來(lái)一睹它的芳容。

首先，我們要熟悉絕對(duì)不能劃的詞：

標(biāo)題詞和主題詞。拿到一篇文章，首先要留意標(biāo)題，了解整篇文章的討論主體，在做題時(shí)，如果與標(biāo)題有關(guān)系的詞出現(xiàn)在題干中，這類(lèi)詞一定不能劃。

“

劍7 Test1 Let’s Go bats這篇文章一定是圍繞蝙蝠來(lái)講的，所以如果題干中出現(xiàn)蝙蝠，可以不劃。

劍6 Test4 Passage1 Doctoring sales醫(yī)生**，很明顯是說(shuō)醫(yī)療的，副標(biāo)題：Pharmaceuticalsis one of the most profitable industries in North America. But do the drugsindustry’s sales and marketing strategies go too far? 我們不難看出這篇文章是說(shuō)醫(yī)藥代表和醫(yī)生的關(guān)系的，所以題干中出現(xiàn)：doctor、drug、sale*an、sales representative可以不用劃出來(lái)。

若干小題反復(fù)出現(xiàn)的詞。段落細(xì)節(jié)配對(duì)題的數(shù)量大概是4-7題，如果我們發(fā)現(xiàn)有一類(lèi)詞在題干中反復(fù)出現(xiàn)，也不用劃，因?yàn)樗荒軒臀覀兌ㄎ欢温洹?

假大空的詞。An account of、the fact that、a reference to、a deion of、an effect of, 看似這些詞都是名詞，但是它們都沒(méi)有意義，只是告訴我們這句話描述了，說(shuō)了，提到了，所以看到即跳過(guò)。

其次，我們一定要留心要?jiǎng)澋脑~：

A.數(shù)字類(lèi)(*數(shù)字，分?jǐn)?shù)，百分?jǐn)?shù)，貨幣符號(hào)+數(shù)字)

劍7 Test2 Passage2 The True Cost of food

14. A costinvolved in purifying domestic water

劍9 Test2 Passage1

6. The estimated proportionof children in New Zealand with auditoryproblems.

劍9 Test4 Passage2 Young children’s sense ofidentity

16. The ageat which children can usually identify a staticimage of themselves.

段落細(xì)節(jié)配對(duì)，顧名思義，讓考生們帶著題干中比較寬泛的信息到文章中尋找相對(duì)來(lái)說(shuō)較細(xì)節(jié)、較具體的信息，那么這三道題出現(xiàn)了：cost、proportion、age, 這三個(gè)詞如何具體，很簡(jiǎn)單：就是數(shù)字，文中的句子一定具體告訴讀者是多少錢(qián)，百分之多少和具體的幾歲。文中分別出現(xiàn)了：$23m for removal of the bugcryptosporidium from drinking water、6-10% of children和during the second birthday。

B. 首字母大寫(xiě)(地名，住址機(jī)構(gòu)名，專(zhuān)有名詞)

劍9 Test4 Passage2

18. A reference to apossible link between cultureand a particularform of behaviour.

題干中出現(xiàn)culture, 很多考生可能會(huì)困惑，為什么culture和大寫(xiě)有關(guān)，culture是文化的意思，不同的國(guó)家和地區(qū)才會(huì)有不同的文化，所以這個(gè)詞的出現(xiàn)暗示著這段的某句話里有首字母大寫(xiě)的表示國(guó)家地點(diǎn)的詞。

劍9 Test3 Passage2 Tidal Power

14. The locationof the first test site

題干中出現(xiàn)location, 地點(diǎn)，位置，文中一定具體說(shuō)在哪里，所以有大寫(xiě)，并且可以精確到街道和門(mén)牌號(hào)碼，所以還有可能大寫(xiě)的旁邊有數(shù)字。

劍9 Test 1 Passage1

2. A deion of a global team effort.

global team effort全球團(tuán)隊(duì)合作，“全球”在文章中如何細(xì)化，會(huì)出現(xiàn)international、world等詞，或者這段出現(xiàn)表示國(guó)家的大寫(xiě)單詞。

C. 名詞復(fù)數(shù)(舉例，并列結(jié)構(gòu))

劍7 Test1 Let’s Go Bats

1. Examples of wildlife other than bats which donot rely on vision to navigate by.

題干中出現(xiàn)examples, 說(shuō)明該段一定會(huì)具體舉例動(dòng)物，如：insects、deep-see fish、whales、dolphins等。

劍7 Test2

15. The stagesin the development of the farming industry.

題干中出現(xiàn)stages, 表示階段或步驟，也就是說(shuō)農(nóng)業(yè)并不是一蹴而就的，而是經(jīng)歷了若干階段，那么階段與階段之間，一定會(huì)有銜接詞，如：first、second、next、followed by、and then; 或者出現(xiàn)表示時(shí)間的詞：in the 1990s、while in the 2000s。

17. One effect of chemicalson water sources.

這道題出現(xiàn)了兩個(gè)名詞復(fù)數(shù)，一個(gè)是chemicals, 化學(xué)物質(zhì)，也就是說(shuō)文中一定會(huì)有具體的化學(xué)物質(zhì)，但是這個(gè)詞偏學(xué)術(shù)，可能出現(xiàn)的詞會(huì)超出預(yù)計(jì);而另外一個(gè)復(fù)數(shù)名詞：watersources水源，這個(gè)就好想多了，水的源頭無(wú)外乎江河湖海，小溪，冰川等，所以文中會(huì)出現(xiàn)不止一個(gè)詞：river、sea、ocean、lake、stream、glacier。

D. 否定詞(表示否定意義的詞)

劍9 Test 4 Passage2

17. A reason for the limitations of scientific research into “self-as-subject”.

題干中出現(xiàn)limitations, 表示局限或是障礙，那么文中定位到的句子一定會(huì)有同樣表示困難的詞：Empiricalinvestigations of the self-as-subject in young children are, however, ratherscarcebecause of difficultiesof communication: even if young infants can reflect on their experience, theycertainly cannot expressthis aspect of the selfdirectly. 所以一旦題干中出現(xiàn)負(fù)方向的詞，文中一定會(huì)有表示否定的詞。

E. 同義詞或近義詞

劍7 Test1 Passage1

5. Early military usesof echolocation.

雅思閱讀的考點(diǎn)就是：定位和同義轉(zhuǎn)化，而段落細(xì)節(jié)配對(duì)定位到了答案也就出現(xiàn)了，所以這道題的解題核心其實(shí)就是同義轉(zhuǎn)化，如果考生對(duì)同義詞和近義詞越熟悉，越銘記于心，那么段落細(xì)節(jié)配對(duì)就會(huì)找得越快，正確率越高。在段落細(xì)節(jié)配對(duì)中，主要考察的是：上義詞和下義詞的同義改寫(xiě)，它們也許中文不能一一對(duì)應(yīng)，但是它們是相關(guān)的。

以這題為例：military uses軍事方面的應(yīng)用，文中一定細(xì)化到：war、weapon、solider、battle、submarine、battlefield、helicopter等。

劍9 Test4 Passage2

15. The role of imitationin developing a sense of identity.

題干中出現(xiàn)imitation, 表示模仿，那么文中一定不會(huì)有原文原詞，該詞的同義詞是：simulate、copy、mimic、mock, 而文中出現(xiàn)了：many parents spend a lot of time, particularly inthe early months, copying their infant’svocalizations and expressions.

段落細(xì)節(jié)配對(duì)題，其實(shí)并沒(méi)有我們想象的那般可怕，想要攻克它，其實(shí)不難。

第一，熟悉題干中出現(xiàn)的一些有規(guī)律的詞，數(shù)字類(lèi)，大寫(xiě)類(lèi)以及否定詞。

第二，加大同義詞積累的力度，在我們做其他題型時(shí)，我們就可以拿筆和紙記錄題干和文中定位的句子中出現(xiàn)的同義詞，經(jīng)過(guò)5-10篇閱讀文章的積累之后，我們會(huì)對(duì)同義轉(zhuǎn)化有新的認(rèn)識(shí)，不再簡(jiǎn)單地認(rèn)為它們意思一樣，而這也在潛移默化地幫助我們提高段落細(xì)節(jié)的正確率。

求：劍九 Test3 雅思口語(yǔ)Part2 a journey 解析 題目： Describe a journey [e.g. by car, plane, b

1．題型分類(lèi)：事件題
2．參考內(nèi)容
Describe a journey[e.g. by car, plane, boat] that you remember well
Vehicle: car/train/plane/boat
Experience: highway/railway/sky/sea
What you saw: common/special
How you felt: excited/tired
3．可用句型：
My most unforgettable journey is surely …
… is my one and only answer on this topic.
That was one of …I’ve ever experienced…
Luckily, there were plenty of …
... are also available
During the trip, I enjoyed…
Besides …, I also experienced…
I’m looking forward to…

2023年9月28日雅思閱讀考試真題及答案

您好，我是專(zhuān)注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢(mèng)想的路上，選擇合適的學(xué)校和專(zhuān)業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問(wèn)，我在此為您提供全方位的專(zhuān)業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問(wèn)！
昨天剛剛結(jié)束了最新一期的雅思考試，大家有沒(méi)有被難倒呢？接下來(lái)就跟著小鐘老師來(lái)看一看2023年9月28日雅思閱讀考試真題及答案。
Passage1： 希臘硬幣Greek coinage
參考答案：
1. 希臘coin早在3000年就出現(xiàn)了=F
2. T
3. Sparta地區(qū)侵略Athens并強(qiáng)制Athens用他們的貨幣=F
4. Great coins在整個(gè)歐洲流傳=F
5. Persian 入侵了Lydia并且使用人家的硬幣=T
6. 用硬幣上的頭像來(lái)獎(jiǎng)勵(lì)做出杰出貢獻(xiàn)的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希臘硬幣的重量至少=0.15g
12. 硬幣的圖案=the king的頭像
13. 希臘被波斯征服之前的花紋是lion and doil
14. coin 在雅典被稱(chēng)為 owl
Passage2： 悉尼交通標(biāo)識(shí)Street markers in Sydney
Passage3： Musical Maladies
參考答案：
A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？ （He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！
E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks＇s credit， part III， ＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely.
J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond.
27-30：B C A A
31-36：YES NG NO NG YES NO
37-40：F B A D

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