2023年4月雅思考試（4月10日）閱讀真題答案（請問2023年9月28日雅思閱讀考試真題及答案）

更新：2023年12月01日 13:11 大學(xué)路

今天大學(xué)路小編整理了2023年4月雅思考試（4月10日）閱讀真題答案（請問2023年9月28日雅思閱讀考試真題及答案）相關(guān)信息，希望在這方面能夠更好的大家。

本文目錄一覽：

1、2023年4月雅思考試（4月10日）閱讀真題答案
2、請問2023年9月28日雅思閱讀考試真題及答案
3、2020年1月4日雅思閱讀考試真題答案

2023年4月雅思考試（4月10日）閱讀真題答案

您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗的留學(xué)顧問，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時提問！
想要去出國留學(xué)，就必須要去完成雅思考試，并且要在該考試?yán)锬玫讲诲e的分?jǐn)?shù)。如果大家在考試前有看過以往考試的真題以及答案解析，對于自己的考試是有很多用處的。那么今天就到小鐘老師來看一看雅思考試2023年4月10日雅思閱讀部分的考試真題答案。
2023年4月10日雅思閱讀真題及答案：
Passage 1
主題：自助超市
題型：填空+ 匹配+選擇
Passage 2
主題：水母泛濫的原因及影響
題型：匹配+填空+多選
Passage 3
主題：人類的進(jìn)化
題型：判斷+單選+填空
為何雅思考試閱讀總是做不完：
基礎(chǔ)薄弱導(dǎo)致讀太慢：
很多童鞋的基礎(chǔ)不夠好，主要體現(xiàn)在詞匯量不夠及語法掌握不牢，這就會導(dǎo)致題目文章理解困難，分不清復(fù)雜句結(jié)構(gòu)，導(dǎo)致抓不住重點。
針對這兩點你需要做的是：
1、牢固掌握雅思閱讀高頻詞
2、對文章進(jìn)行生詞和同義替換的總結(jié)
同意替換詞是雅思閱讀最大的出題點，自己進(jìn)行總結(jié)，能幫助自己更深入的理解。
3、掌握雅思閱讀重點句型
雅思閱讀重在轉(zhuǎn)折、并列、因果等邏輯上的考察，補好基礎(chǔ)語法后，需要在這些邏輯句型上花費更多的時間去掌握。
長時間緊扣單個句子：
很多同學(xué)會對每個單詞逐一停頓，并逐一翻譯地閱讀，強迫癥式地想完全理解每句話的意思，這樣會浪費很多時間，也完全沒有必要。
在雅思閱讀中，要以意群、句子，甚至幾個句子為一個單位移動，必要的時候進(jìn)行跳讀。
掌握基礎(chǔ)語法和邏輯后，讀不懂的快讀，讀得懂的抓住重點。
還有同學(xué)低聲朗讀或嘴唇蠕動著默讀，用手或筆指著卷面一排排地導(dǎo)讀，這些都是嚴(yán)重影響閱讀速度的壞習(xí)慣，現(xiàn)在開始，童鞋們就應(yīng)有意識的抑制這些習(xí)慣性行為。
時間快用完時緊張負(fù)面情緒：
在考場上，很多同學(xué)越想按時完成越是緊張。一旦一篇文章沒有及時做完，后面就慢慢心態(tài)崩了...
其實，大家的目標(biāo)不是9分的話，就不是非得做完全部的題目，最重要的是，保證已做的題全部正確。
所以在平常的練習(xí)中，先保證正確率，前期可以仔細(xì)地慢慢做，做到每題全對；
后期熟練做題并牢固掌握詞匯語法后，要在1小時內(nèi)達(dá)到40個全對的目標(biāo)，第一遍對錯誤的題進(jìn)行總結(jié)，第二遍繼續(xù)練習(xí)直到1小時內(nèi)全對為止。
最后，不能單純追求詞匯量的提高，真正掌握一個單詞在語境中的意思，比自我感動式的狂刷單詞有用得多。
雅思考試閱讀有哪些考試順序：
1、何為“順序原則”
“順序原則”即雅思官方在題型特點注釋中所述的“Answers are in passage order.”說的復(fù)雜一些，便是：若某一題型符合“Answers are in passage order”的描述，該題型所包含的幾個題目的答案在文中分布的相應(yīng)位置隨題號的變大而逐漸靠后。Sounds like a mouthful， right？簡而言之吧，就是這種題型考生可以順著題號一題一題地往文章更靠后的位置找，比較符合正常人的閱讀習(xí)慣（相信很少有人上來先讀一篇文章的第三段，或者第四段吧）。
2、順序原則與題型
宏觀地看一篇雅思閱讀文章包涵的全部題型，答案分布的順序也符合題型出現(xiàn)的先后順序，例如全文包含先判斷題，后填空題這兩種題型，則較有可能出現(xiàn)的情況是判斷題答案分布在文章的前半部分，而填空題在文章后半部分。例如：劍橋雅思真題集系列7，Test 4 Passage 1：前7題判斷題分布于前6個段落，剩下的段落填空題分布于第9段，和前面7段無關(guān)。
3、順序原則之于解題的指導(dǎo)方針
最后來說說順序原則和解題過程的關(guān)系。兩者的關(guān)系主要體現(xiàn)在前者對如何讀題干的影響。對于遵守順序題型的題型，考生在審閱題干時候可以選擇審一題解一題的做法，因為相關(guān)內(nèi)容在文中按順序出現(xiàn)，這樣做考生也會感到循序漸進(jìn)，脈絡(luò)清楚。當(dāng)然，選擇在一開始講該題型的每個題干都審閱一遍也未嘗不可，可先完成較容易定位的題目，再活用順序原則，縮小較難定位題目所需的搜索范圍。對于亂序題型，特別是段落信息配對題，考生須在文中搜索答案之前審閱全部題干，最好讀兩遍以加深印象：因為信息在文中的分布為亂序，所以第1題的信息有可能出現(xiàn)在比如，倒數(shù)第二段，而我們的閱讀順序，如前文所述，肯定是從頭段至尾段的。若讀一題做一題便可能會出現(xiàn)做一題就耗去讀全篇的時間，得不償失。題號大的題目在這一題型中是很有可能比題號小的題目更早做出來的。

希望以上的答復(fù)能對您的留學(xué)申請有所幫助。如果您有任何更詳細(xì)的問題或需要進(jìn)一步的協(xié)助，我強烈推薦您訪問我們的留學(xué)官方網(wǎng)站，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請順利！

請問2023年9月28日雅思閱讀考試真題及答案

您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。選擇留學(xué)是人生重要的決策之一，而作為您的指導(dǎo)，我非常高興能為您提供最準(zhǔn)確的留學(xué)解答和規(guī)劃。無論您的問題是關(guān)于考試準(zhǔn)備、專業(yè)選擇、申請流程還是學(xué)校信息，我都在這里為您解答。更多留學(xué)資訊和學(xué)校招生介紹，歡迎隨時訪問。
昨天剛剛結(jié)束了最新一期的雅思考試，大家有沒有被難倒呢？接下來就跟著小鐘老師來看一看2023年9月28日雅思閱讀考試真題及答案。
Passage1：希臘硬幣Greek coinage
參考答案：
1. 希臘coin早在3000年就出現(xiàn)了=F
2. T
3. Sparta地區(qū)侵略Athens并強制Athens用他們的貨幣=F
4. Great coins在整個歐洲流傳=F
5. Persian 入侵了Lydia并且使用人家的硬幣=T
6. 用硬幣上的頭像來獎勵做出杰出貢獻(xiàn)的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希臘硬幣的重量至少=0.15g
12. 硬幣的圖案=the king的頭像
13. 希臘被波斯征服之前的花紋是lion and doil
14. coin 在雅典被稱為 owl
Passage2：悉尼交通標(biāo)識Street markers in Sydney
Passage3： Musical Maladies
參考答案：
A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？（He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！
E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks＇s credit， part III，＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely.
J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond.
27-30：B C A A
31-36：YES NG NO NG YES NO
37-40：F B A D

以上信息希望能幫助您在留學(xué)申請的道路上少走彎路。如果您還有更多問題或需要深入探討，不要猶豫，您可以在我們的留學(xué)官方網(wǎng)站上找到更豐富的考試資訊、留學(xué)指導(dǎo)和*專家咨詢服務(wù)。我們的團(tuán)隊始終站在您的角度，為您的留學(xué)夢想全力以赴。祝您申請順利！