2023年11月20日雅思閱讀考試真題及答案（2023年5月4日雅思閱讀考試真題及答案）

更新：2023年12月02日 23:30 大學(xué)路

今天大學(xué)路小編整理了2023年11月20日雅思閱讀考試真題及答案（2023年5月4日雅思閱讀考試真題及答案）相關(guān)信息，希望在這方面能夠更好幫助到大家。

本文目錄一覽：

1、2023年11月20日雅思閱讀考試真題及答案
2、2023年5月4日雅思閱讀考試真題及答案
3、2023年9月28日雅思閱讀考試真題及答案

2023年11月20日雅思閱讀考試真題及答案

您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢(mèng)想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問(wèn)，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問(wèn)！
雅思的閱讀考試，在11月20日的考試中，有了新的變化，來(lái)一起看看真題吧。下面是小鐘老師整理的2023年11月20日雅思閱讀考試真題及答案。
2023年11月20日雅思閱讀考試真題
Passage 1
主題：世界上最古老的鞋
參考答案：
Passage 2
主題：捕捉小行星
參考答案：
Passage 3
主題：語(yǔ)言的變化
參考答案：
27-30 填空27.sound laws28.fashion29.imperfect30.principle of ease
31-37 判斷31.F32.NG33.NG34.T35.T36.NG37.T
38-40 匹配38.C39.B40.A
雅思閱讀評(píng)分標(biāo)準(zhǔn)
是直接將答對(duì)題目數(shù)量劃分給對(duì)應(yīng)分?jǐn)?shù)，從9分到0分。其中a類標(biāo)準(zhǔn)稍嚴(yán)于g類，二者是不完全一樣的，請(qǐng)注意。具體看下表：
雅思閱讀考試類型
雅思A類閱讀(學(xué)術(shù)類)部分共有三篇文章，考生需要回答40道題目。每一篇文章所需要回答的問(wèn)題數(shù)量并不相同。每一道問(wèn)題相對(duì)應(yīng)一個(gè)分?jǐn)?shù)。文章內(nèi)容和題目均出現(xiàn)于試卷中。
文章介紹
閱讀考試中所出現(xiàn)的文章是由真實(shí)的文章改寫(xiě)而成的。這些文章來(lái)源于諸如雜志、期刊、書(shū)籍和報(bào)紙等途徑，與考生未來(lái)在大學(xué)課程中將閱讀到的文章極為相似。文章還包括了非文字性的內(nèi)容，比如圖表、曲線圖、以及畫(huà)圖等。文章的寫(xiě)作方式多樣，比如記敘文、說(shuō)明文或者議論文等文體。文章的內(nèi)容包含即將學(xué)習(xí)本科、研究生課程或進(jìn)行職業(yè)注冊(cè)的考生所感興趣的、與其認(rèn)知程度相符的常見(jiàn)話題。其中，至少一篇文章會(huì)出現(xiàn)詳盡的論述形式。所有文章總計(jì)長(zhǎng)度約在2000到2750 字之間。
雅思G類閱讀(培訓(xùn)類)共有三部分，文章難度由淺至深，考生需要回答40道題目。第一部分有14道題，第二和第三部分分別有13道題。
第一部分通常包含2到3篇短文或者若干段文字(如廣告等)。第二部分通常有2篇文章，第三部分則為一段較長(zhǎng)的文章。文章的內(nèi)容和文體各有不同，難度最深的為第三部分的內(nèi)容。
第一部分的內(nèi)容選自通知、廣告、時(shí)間表、宣傳品、以及其它類似的內(nèi)容。第二部分的內(nèi)容選自大學(xué)招生簡(jiǎn)章、課程介紹、大學(xué)課程介紹、圖書(shū)館指引、規(guī)定、以及其它類似的內(nèi)容。第三部分的內(nèi)容選自報(bào)紙、雜志、期刊、小說(shuō)或非虛構(gòu)的書(shū)籍、以及其它類似的內(nèi)容。所有文章總計(jì)長(zhǎng)度約在2400字左右。
雅思G類閱讀考試評(píng)分標(biāo)準(zhǔn)
按照IELTS評(píng)分標(biāo)準(zhǔn)，考生每科成績(jī)從1~9共分為九個(gè)等級(jí)。考生的總分取聽(tīng)、說(shuō)、讀、寫(xiě)四個(gè)部分得分之和的平均值，平均值也需按照四舍五入的原則統(tǒng)計(jì)，并最終確定考生的雅思總分。今天，新通教育安徽外語(yǔ)專家就和大家來(lái)聊聊雅思G類閱讀評(píng)分標(biāo)準(zhǔn)是什么?希望能解答于雅思考生對(duì)于雅思G類閱讀評(píng)分標(biāo)準(zhǔn)的疑惑。
聽(tīng)力、閱讀、寫(xiě)作、總分都有半分的情況存在，最后得分均為取四項(xiàng)成績(jī)的平均值，如果遇到四項(xiàng)平均值為x.25或者x.75時(shí)怎么計(jì)算?
遇到這種情況還是按照四舍五入的原則計(jì)算，但需要尾數(shù)大于0.5分才計(jì)入上一級(jí)分?jǐn)?shù)，尾數(shù)小于或者等于0.5則計(jì)入同一級(jí)分?jǐn)?shù)。例如四項(xiàng)平均分等于或大于5.25分，則計(jì)入5的同一級(jí)分?jǐn)?shù)，取5.5分;如果平均分等于或大于5.75分，則計(jì)入5的上一級(jí)分?jǐn)?shù)，取6分。
雅思G類閱讀得分與原始分?jǐn)?shù)換算表
聽(tīng)力和閱讀都分別有40道題目，每答對(duì)一題得一分。最后的分?jǐn)?shù)(原始分 Raw Score)被折算成1-9分的雅思段位。
由于和A類閱讀考試相比，雅思G類閱讀的題目較簡(jiǎn)單，所以取得高分相應(yīng)的需要多對(duì)2-3題。由于雅思閱讀考試都是相對(duì)比較客觀的題目，所以不存在雅思閱讀成績(jī)復(fù)議這個(gè)程序。大家在備考雅思閱讀考試的時(shí)候，可以根據(jù)上面的雅思G類閱讀評(píng)分標(biāo)準(zhǔn)對(duì)自己的閱讀進(jìn)行測(cè)試。
考試時(shí)間為60分鐘　共3篇文章　每篇約1000左右(閱讀量極大)　40個(gè)題目
在考試內(nèi)容上A類和G類是有一定的差別的：
Academic類與General training類的考題都以"三大段"的文章為基本結(jié)構(gòu)，大約1500-3000字之間，內(nèi)容多樣，甚至有時(shí)以圖表、表格的方式出現(xiàn)，學(xué)生答題的方式亦有多種答題形式，共40題.
閱讀部分的主題并不是為了考察學(xué)生對(duì)學(xué)術(shù)的專業(yè)度或認(rèn)知度，所以學(xué)生千萬(wàn)別因?qū)χ黝}的陌生而緊張起來(lái)。
A類與G類內(nèi)容相同之處在于A類除生活化范疇之外，加入考生在學(xué)業(yè)上、學(xué)術(shù)上的探討與了解，而G類較著重于社會(huì)上的、生活化的、工作訓(xùn)練等的主題。

希望以上的答復(fù)能對(duì)您的留學(xué)申請(qǐng)有所幫助。如果您有任何更詳細(xì)的問(wèn)題或需要進(jìn)一步的協(xié)助，我強(qiáng)烈推薦您訪問(wèn)我們的留學(xué)官方網(wǎng)站，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請(qǐng)順利！

2023年5月4日雅思閱讀考試真題及答案

2023年9月28日雅思閱讀考試真題及答案

您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢(mèng)想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問(wèn)，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問(wèn)！
昨天剛剛結(jié)束了最新一期的雅思考試，大家有沒(méi)有被難倒呢？接下來(lái)就跟著小鐘老師來(lái)看一看2023年9月28日雅思閱讀考試真題及答案。
Passage1：希臘硬幣Greek coinage
參考答案：
1. 希臘coin早在3000年就出現(xiàn)了=F
2. T
3. Sparta地區(qū)侵略Athens并強(qiáng)制Athens用他們的貨幣=F
4. Great coins在整個(gè)歐洲流傳=F
5. Persian 入侵了Lydia并且使用人家的硬幣=T
6. 用硬幣上的頭像來(lái)獎(jiǎng)勵(lì)做出杰出貢獻(xiàn)的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希臘硬幣的重量至少=0.15g
12. 硬幣的圖案=the king的頭像
13. 希臘被波斯征服之前的花紋是lion and doil
14. coin 在雅典被稱為 owl
Passage2：悉尼交通標(biāo)識(shí)Street markers in Sydney
Passage3： Musical Maladies
參考答案：
A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？（He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！
E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks＇s credit， part III，＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely.
J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond.
27-30：B C A A
31-36：YES NG NO NG YES NO
37-40：F B A D

希望以上的答復(fù)能對(duì)您的留學(xué)申請(qǐng)有所幫助。如果您有任何更詳細(xì)的問(wèn)題或需要進(jìn)一步的協(xié)助，我強(qiáng)烈推薦您訪問(wèn)我們的留學(xué)官方網(wǎng)站，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請(qǐng)順利！

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